2010 has been longing for an album that could bring forth intensity without subjecting itself to the power of volume; something that could present a statement while on the precipice of inaudibility rather than having the concept blare from a decaying speaker system. This hunger has been fulfilled by Netherlands quartet Piiptsjilling, whose sophomore effort Wurdskrieme will, at the very least, satisfy an analytical listener.
What Piiptsjilling provide, as well as what sets them apart from contemporaries, is Wurdskrieme's sense of scenery. The scarce, faint whirs and the distending feedback create a cold aura shrouded in room ambiance. To counter the sustained template are trembling guitar phrases, unintelligible samples, and the impalpable textures of noise that follow these additions within every piece. Wurdskrieme showcases a breathtaking separation between gentle and harsh elements.
To further intensify the music is Jan Kleefstra's metaphorical poetry, which is delivered in his native Frisian dialect. Kleefstra's voice is delicately pronounced and set at the forefront, not only to serve as an intimate contrast to the cavernous atmosphere of the music, but primarily to draw attention to what is told. The context of the poetry depicts the imagery that the music elicits: "Tired Light"'s airy, floating guitar tones are narrated by a portrayal of being as light as a voice. Kleefstra's phrasing is given vaguely, though fully suits the wandering pace of Wurdskrieme's theme.
The title, Wurdskrieme, in English means "Cry of Words," and while Kleefstra may not deliver in the most emotional manner, the sounds that accompany him are what accentuate each word. Ominous flourishes coupled with expressionist storytelling give Wurdskrieme a powerful effect yet to be seen in modern music. Whether it's a nuance within the music or a reinterpretation of the lyrics' imagery, any parsing given will result in a reward.
[Piiptsjilling Website]
[Buy Wurdskrieme from Experimedia]
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